Kodachrome 64 white balance That’s four, so I’ve already gone over, but Kodachrome 64, Kodak Portra 160, Fujicolor 100 Gold, Kodak Vision3 Kodachrome, introduced by Kodak in 1935, was a vibrant color-reversal film praised for its rich tones and archival stability. Photo credit – Drew Eden. For It started with a kiss You see, my wedding photos are on Kodachrome 64 (PKR). I have shot both the E100S and E100SW. The grain seemed finer than the Kodachrome 64. White Balance: 6050K For consistency purposes I would probably set a custom white balance by taking a picture of the diffuser w/o a slide for each batch/session; but even that is probably overkill. Below are a couple examples of this Kodachrome 25 recipe compared to my Kodachrome 64 recipe: Kodachrome 25 recipe. This is a process of working on the different parameters until you reach the right look. Essentially that’s how you’d change Archive 2007 · 5D - How to get the Kodachrome 64 quality?! alyeska Offline • Upload It's a reasonable question, but the answer is to set the camera to Raw mode, and set the Automatic White Balance to Automatic (it can be over-ridden in processing). The result will be a black & white negative image. 2 ISO50. It would be much appreciated if you could let me know what you think. Keep up the Anders explained to me that himself and John Sevigny had co-created a Kodachrome 64 Film Simulation Recipe based on Steve McCurry’s last roll of Kodachrome film, which was (as you likely know) famously developed on July 12, 2010, White Balance: 5900K, -1 Red & +4 Blue Highlight: 0 Shadow: 0 Color: +2 Sharpness: -2 High ISO NR: -2 Clarity: 0 — Assuming the Kodachrome film you will use is still viable, you can expose it and process it in ordinary black & white chemistry. lrtemplate) Kodak Kodachrome 10; Kodak Kodachrome 25; Kodak Kodachrome 64; Kodak Kodachrome 200; Kodak Black & White Infrared. Shift +3 Red & 0 Blue. Some people preferred it to Kodachrome because of the faster ISO (100 vs 64 or 25), more saturated colors and easier development (although Kodachrome had finer grain, a larger dynamic range and didn’t fade as easily). Wasn’t Kodachrome a lot more expensive? C2 – Kodachrome 64 [Customer WB 1] – Set up custom measured “Daylight” white Balance C3 – Kodak Ektar 100 [Auto WB] C4 – Kodak Vision 3 250D [Fluroscent 1] C5 – Lomography 100 [Shade] C6 – Kodacolor II 126 [6300k] C7 – Kodak Trix 400 [Custom WB 2 + Warm =2] Set up custom measured “Daylight” white Balance. I love the Kodachrome 64 recipie. First one is the Kodachrome 64 and the other one is Kodacolor. White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1. The warm color balance of E100SW Film makes it great for any application where the lighting is unpredictable. Note: This article originally was a part of Why I Never Shoot RAW — FujiFilm Simulations, Recipes, and More! published by Moment on September 6th, 2021. Ritchie Roesch has done a fine job of creating Film Simulation Recipes for Fujifilm cameras. The a7RV is only slightly magenta compared to the a6700, but can be easily fixed if we push the color filter towards amber-green by a quarter stop(A0. I absolutely detested the Circus Colors that became the prevalent fashion with the advent of Fuji's rancid yellow Velvia. X-Trans IV Recipes for X-T3 & X-T30: Kodachrome 64. Having saved the preset I suddenly realised that the white balance and white balance shift had been saved as Those with an X-T3 or X-T30, try the Kodachrome 64 recipe for those cameras . Will not Previously, I showed examples of images made with the Kodachrome 64 recipe, simulating images made with the Kodak analog colour film produced from the mid-1970s to its final run in 2009. I like the colors, so vibrant and sometimes surreal. Nomadic Mood I’ll start with the Fujifilm X100V Kodachrome 64 film simulation recipe. Two of my favourites are his Kodachrome 64, Vintage Kodachrome, and Kodachrome II recipes for the Fujifilm X-Trans III or IV sensor It seems to me, besides Acros & grain settings, the biggest difference in settings are those contrast values – white balance tweaking options look fairly the same, and it’s a good news as you rely heavily on it 😉. Kodachrome 64 - probably the most popular and beloved film stock to this day, and some might describe it as having the "color of memory". white balance: Daylight, -5 red & +4 blue iso: 400 - 3200: exposure compensation-2/3: Infos. A few of the X-T3 and X-T30 X-Trans IV recipes are fully compatible with X-Trans III cameras; however, most are partially compatible, which means that you don’t have every required setting on your camera, white balance: Daylight, -5 red & +4 blue iso: 400 - 3200: exposure compensation-2/3: Infos. Daniel Bencic. Kodachrome II. : Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: Daylight, +2 Red & -5 Blue Dynamic Range: DR200 Highlight: 0 Shadow: +0. White Balance: Daylight, +2 Red & -4 Blue ISO: Auto, up to ISO 1600 Exposure What I don’t appreciate about this recipe is that it requires a tricky white balance setting that’s difficult to get right. r/fujix. GitHub community articles Repositories. Which makes it even harder to What has always put me off film sims is that when I use the kodachrome or portra recipes with the white balance in daylight and shifted away from blue everything looks green. 1 #2 · p. Do you for example adjust exposure and white balance first before you apply any RNI film presets? Certainly. Set the other controls to zero and the Picture Style to Faithful. Kodak Gold 200. Example photographs, all camera-made JPEGs using this Kodacolor recipe on my Fujifilm X-T1: Own development analogue of the famous film Kodak Kodaсhrome 64. The major differences between the two Kodachrome emulsions is that the ISO 25 version was sharper and less grainy, while the ISO 64 version was more contrasty, vibrant and a hair warmer. Du machst wirklich einen großartigen Job mit den Recipes. These Warm White 20B + 20M +1 stop Warm White Deluxe 40B + 05C +1 1⁄ 3 stops Cool White 40M + 10Y +1 stop the color balance will shift in the magenta-red direction, compensating for some of the It started with a kiss You see, my wedding photos are on Kodachrome 64 (PKR). The Kodachrome I shot was introduced in 1974, although the first ASA-64 Kodachrome was released as Kodachrome-X in 1962, however, by 1974 the move to the last Kodachrome process K-14 changed the name of Kodachrome II (ASA-25) and Kodachrome X (ASA-64) to the more familiar Kodachrome 25 and Kodachrome 64. The Kodachrome setting definitely wins. White Balance: Daylight, +2 Red & -4 Blue ISO: Auto, up to ISO 1600 I've made a list of all my film simulation recipes that use auto white balance. For those with an X-Trans II model, there’s a Kodachrome 64 recipe for you, too . Film Simulation: Classic Chrome. I just switch between classic chrome and classic negative in auto white balance now and either under or over expose to achieve different colour shifts without the green hue. Just in case it’s One of my favorite film simulation recipes is Kodachrome 64. Kodak Porta 160. Members It's highly recommended having White Balance adjusted to a somehow neutral setting, minor tweaks in temperature and tint are ok. Epson Perfection 4490 Photo scanner. What do you think of Kodachrome 64? Time Stamps:0:00 Intro0:17 Start0:31 Photo Examples1:13 Bonus Ti Yes, KODACHROME can be processed as Black & White, I do it all the time here. https Don't be Thanks for your reply. Kodachrome 64 was my favorite film and now my favorite preset and it gets applied to almost every exposure I make. Nó được thiết kế lại vào năm 2006 và một lần nữa vào Both Silverfast and Vuescan have a separate scan setting for Kodachrome slides. I did not reference any of the profiles on the forum. Setting Brightness, Contrast and WB at the very beginning is a good idea. Kodachrome 25 recipe. It’s auto white balance with soft Now I can offer you a digitale rebuild version of Kodachrome 25, 64, 200 and additional settings for an even more analog look. White Balance: Auto, +3 Red & -4 Blue ISO: Auto up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically) while instead the Kodachrome 64 is a bit more neutral (in color tone I mean) and so it resemble more the color style of Steve McCurry? Do you agree with this my feeling, or I’m wrong? 4 KODACHROME 25, 64, and 200 Professional Film • E-55 KODACHROME 64 Professional Film Diffue rms Granularity: 10 Read at a gross diffuse visual density of 1. Ektar 100: This preset produces strong contrast and vivid saturation, making I liked Kodachrome 64 a little more, and so that’s what I most often used. It uses the Fluorescent 1 (sometimes called Neon 1) white balance type; if I wasn’t concerned about white balance type, I could go with Kodachrome 64 or Kodak Portra 160 or Kodak Gold 200 or (of course) Kodak Vision3 250D and be very happy with any of them, they’re all good. i also use a modified version of his vision3 250d where i adjust the white balance setting based on conditions (esp. 1. Medium Lightroom skills but still learning. 1 #2 · Color film white balance: Film sold in white balance varieties just like digital camera settings, though typically not with so Those with an X-T3 or X-T30, try the Kodachrome 64 recipe for those cameras . If you want to experiment with classic film colors or are impressed by films, this Kodachrome 64 recipe is one of the Fujifilm recipes you should try on your Fujifilm X Series camera. good for indoor or night shooting, where the specific Cobalt images has some kodachrome profiles - but they are expensive. a lot of people like his portra recipe, but i’m not really into the film version so i haven’t spent much time with it. The production of this film stopped in 2010 but why stop at color processing when we can do it in black and white? Last July, I found a nice camera on a flea market in Munich. </p> <p>Sadly, I found it more and more difficult to get reliable processing after we lost those Kodak processed Kodachromes in classic cardboard mounts. Kodak Portra 400. Both these characteristics might enable processing of images shot with digital capture, to be successful in replicating the look. These have been designed to be customizable, changing the exposure and white balance will be helpful after application. Portra v2. Analog Film Styles for Lightroom. So that nobody misunderstands my position on all of this, I was hoping this My favorites so far have been the Kodachrome simulations (both the Vintage Kodachrome and Kodachrome II) that I realized from using his simulations is that the biggest defining factor in the final look of the jpg is the Kodachrome cannot be developed in color anymore, as Kodak has long since discontinued their proprietary processing chemicals and machines. Vintage Agfacolor Fade. Instead of raising the shadows, lower them. #3. Just one roll, and a roll of HP5 as well. Portra 400 là một phim màu âm tính, được Kodak giới thiệu vào năm 1998. I purposely wanted to build the Kodachrome 25 from the ground up using two profiles I trusted (DXO FilmPack and the Kodachrome 25 Kodachrome 64 is probably the most requested film that people have asked me to create a recipe for. 0 G0. Kodachrome 64 had less dynamic range than most modern cameras Now I’m doing it by white balance. Classic Chrome Dynamic Range: DR200 Highlight: 0 Shadow: 0 Color: +2 Noise Reduction: -4 Sharpening: +1 Clarity: +3 Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome Effect Blue: Weak White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 (typically). This seems a non trivial topic even for newly shot raws on a modern DSLR but digitising slides The settings that Bard failed to provide were Dynamic Range, White Balance Shift, Color Chrome Effect (although it did give Color Chrome FX Blue), and Clarity. Our album has twelve 6 x 8 prints in it, which is all you need; proof being we’re Kodachrome 64. Eterna. 1/2,000 @ f/1. 25-G0. New Kodachrome 64 recipe. It is best to use a custom film recipe on the camera to get a film-like photo. Just in case it’s helpful, I’ve also included the required white balance shift. However, he got to shoot one of the last rolls of Kodachrome that was ever developed. Kodak Vision3 250D. White Balance: Daylight, +2 Red & -5 Blue; ISO: Auto, up to ISO 6400; Exposure Compensation: +1/3 to +1 (typically) If you want, check out the full overview at fujixweekly here, or the single profiles below: Vintage Kodachrome; Kodachrome 64; Kodachrome II; Kodak Portra 400; Kodak Ektar 100; Kodak Ektachrome 100SW; Vintage Agfacolor; Fujicolor Superia 800; The real Kodachrome film is dead but lives on as Fujifilm X camera film simulation recipes or as Adobe Lightroom Classic presets. Something to note if anybody tries these or to create their own, is that there are certain shifts to colour hues that aren't reproducible in camera. 6). If you can get the custom measurement correct, the results are great. White Balance: Daylight (Fujifilm calls it “Fine” for some reason), -1 Red & -4 Blue ISO: Auto, up to ISO 1600 Exposure Compensation: +1/3 to +2/3 (typically) Example photographs, all camera-made JPEGs made using this It was harder with 1980s, as tones become richer, and after 1990s the white balance looks most natural. There Ektachrome was a line of color transparency (slide) films made by Kodak that used the E-6 development process. Fund open source developers The ReadME Project. K’chrome 200 followed, but I don’t think it was nearly as good, and was grainy. White Balance: Auto, 0 Red & -3 Blue ISO: Auto, up to ISO 3200 Exposure Compensation: -1/3 to -1 (typically) My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; Fujifilm X-Trans IV Film Simulation Recipe: Reggie's Portra; Top 25 Most Popular Film Simulation Recipes of 2024; Fujifilm X100V Film Simulation Recipe: Kodak Portra 400 v2; tri-x, kodachrome 64, gold 200, ultramax, and hp5 400 are the ones i’ve used with the most success. White Balance: 6050K. Kodacolor uses white balance 6300K with a shift of R-1 and B-4. Increase the saturation on all colors by one or Bethel Alaska 1988. Unfortunately, it was discontinued a long time ago, so youngsters like me had no chance of experimenting with this fantastic film roll. . To learn more about what you’re getting, read about how these were developed using film scanners, how I use them, and more FAQs below. All but one of the towers were demolished after this photo was White Balance: 3200K ISO: Auto up to ISO 6400 Exposure Compensation: 0 to +1/3 (typically) Example photos, all camera-made JPEGs, using my CineStill 800T Film Simulation recipe: My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; Fujifilm X-Trans IV Film Simulation Recipe: Reggie's Portra; Fujifilm X100V Film Simulation Recipe: Kodak Portra 400 v2; The Kodachrome 64 negatives were scanned using Epson V700 flatbed scanner, with factory 135 negative carriers. Alternatives for “midday” photography: Kodachrome 64 Kodak White Balance: Auto WB Shift: R-2 & B 2 Highlight Tone: -2 Shadow Tone: -1 (or 0 in certain circumstances) Colour: +3 Sharpness: +4 Noise Reduction: 0. It can be applied to the X-T30, X-T3, X-T30 II, X-S10, X-T4, X-Pro3, or Fujifilm bodies that are compatible with the Classic Chrome, one of the most In this list of the 7 best Fujifilm recipes, I will include recipes that use distinct tones. The settings are similar, but a little different. 66 EV + WHITE BALANCE 'Graszi' playing a tanpura, Pushkar, India Canon EOS 5D III + EF 85mm f/1. Vintage Eterna. com/2020/05/27/my-fujifilm-x100v-kodachrome-64-film-simulation-recipe/Classic ChromeDynamic Range: DR200 Kodachrome K135 20 Color Reversal film Kodachrome II – film for color slides; the 35 millimeter still photography format is shown above. Sepia. Daylight: Kodachrome 64 For example, you could have Kodachrome II, which uses auto white balance, set to C1, Kodacolor, which uses a kelvin white balance, set to C2, Kodachrome 64, which uses daylight white balance, set to C3, Lomography Color 100, which uses cloudy/shade white balance, set to C4, Color Negative, which uses fluorescent 1 white balance, set to C5 The Kodachrome 64 recipe. Hopefully, you’ll be pleased with the SOOC results by using these fine-tuned recipes. My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; Fujifilm X-Trans IV Film Simulation Recipe: Reggie's Portra Get a Kodachrome 64 look with Fujifilm X-Trans IV cameras Classic Chrome is a wonderful film simulation in it's base configuration, and with a few tweaks it can be shaped to give similar looks to the much loved Kodachrome White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 (typically) This Kodachrome 64 recipe is the only one I cannot use. I tested the above profile with my EM5 II against the XT-5. Kodachrome II and Kodachrome 64 sometimes look very similar (much like the real film), and sometimes there’s an obvious difference. I processed and printed the black and white In comparison to Kodachrome 25, Kodachrome 64, another version of this stock, had a cooler color balance and finer grain structure, making it well-suited for commercial, editorial, and portrait work. These films had more accurate color, finer grain and faster ISOs (ISO 25 and 64, respectively, compared to ISO 10 of the original) than the previous version. As a huge fan of your Kodachrome 64 recipe, it appears that this recipe result in • Kodachrome 64 • Kodacolor • Kodak Platinum 200 • Monochrome Red. This Kodachrome 25 preset achieves exactly all the White Balance: Auto, +1 Red & -2 Blue ISO: Auto up to ISO 3200. Until its discontinuation, I'm really enjoying this Fuji recipe/ film simulation. You can use a diffusion filter to add a even better analog feeling. I should revisit this recipe and attempt to create this look without requiring a vague custom white balance measurement. 0 B G R Status A K-14 1/50 second Daylight Densitometry: Process White Balance: Daylight (Fujifilm calls it “Fine” for some reason), -1 Red & -4 Blue ISO: Auto, up to ISO 1600 Exposure Compensation: +1/3 to +2/3 (typically) Example photographs, all camera-made JPEGs made using this “Kodachrome Without Classic Chrome” film simulation recipe on a Fujifilm XQ1: With color film there are basically two options: Daylight and Tungsten. there are It always chose Auto White Balance (once it did not provide a WB, so I had to ask it to do so), This Kodachrome 64 Film Simulation Recipe is intended for Fujifilm X-Trans V models, which (as of this writing) include the X-H2, X-H2S, and X-T5 cameras. Popular among photographers, it was used for iconic images in photojournalism and landscapes. Then Kodachrome 64 came out. Kodachrome Saturated. "White Alice was conceived in the 1950s when Alaska had only basic telephone communication systems. Long-time amateur. 2 II USM. I know it's virtually impossible to get the chemicals now for color positive developing, but I've heard there's ways to develop these as monochrome using black and white developer. It was a Revue 35CC (it's the same Those with an X-T3 or X-T30, try the Kodachrome 64 recipe for those cameras . If you want to check another color matching test showcasing Kodachrome 64 film simulation on RX100VI, There are three distinct eras of the film, and Kodachrome 64, which was introduced in 1974, was in the third and final era. Kodachrome 64 recipe uses Daylight white balance with that shift. Anyway, the thread asked "Kodachrome -- can we go back?" Apparently we cannot with this version. I did some test scans of Kodachrome 64 with regular slide and Kodachrome settings. It's not a white balance problem either. The Kodachrome film recipe produces a very classic look that is ideal for travel, street, and What is White Balance Shift and how do you use it on your Fujifilm camera? White Balance Shift is one of my favorite JPEG tools that Fujifilm has included on their cameras. Tone Curve : Highlights 0 / Shadows 0. Obviously that “Kodachrome 64 Recipe” will not look anything like actual Kodachrome 64 slides Think of it as scanned Kodachrome, while the Kodachrome 64 Recipe (a couple of spots higher) is more like projected Kodachrome. I wanted to try another film-simulation recipe: the Ektachrome 100SW White Balance: Auto; +1 Red, -2 Blue; ISO: Auto up to 3200 (or fixed to 1000) All recipes sorted by Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. Indoors? Eh, not so good without a flash, and then it was wasted; might as well shoot negs. Will not reproduce a All of them (except B/W I think) use different white balance settings or share the balance and shift, since you can only set your WB shift to one setting (unless you wanna change it every time you change a recipe. Discontinued in 2009, its complex development process required specialised labs, making it a symbol of vintage photography. The example images have been shot in the streets of Delhi this summer and carefully processed using the Kodachrome 64 Kodachrome 64, which was still a low-ISO film, was about 1 2/3 stops faster. This present post comes in very handy, providing impetus to “reset A simple application of the preset to your images with white balance and exposure corrections should do the trick! Get the Preset Pack. Color +2. Wow — so fast it almost ran you off the road. Vintage Kodachrome is the most dissimilar. White Balance : Daylight Shift Red +2 Blue -5. It’s compatible with newer GFX models too, but will likely render slightly different on those cameras. Kodachrome has a long history, with the first successful version debuting in 1935 (film simulation recipe here). Provia Negative. CHARACTERISTIC CURVES SPECTRAL-SENSITIVITY CURVES F002_0490AC 3. The biggest change was going from the K-12 to the K-14 development process (which was a little . 7th slot is the plain default recipe Reply reply KODACHROME 64 and 200 Films Month 1996 DESCRIPTION KODACHROME 64 and 200 Films are color reversal films designed for processing in Process K-14 chemicals. You pay once for base pack, then additionally for each camera model. Modified Kodachrome 64 recipe with Classic Negative instead of Classic Chrome film simulation and a modified white balance. White Balance: Fluorescent 1 (Daylight Fluorescent). My brother-in-law and I shot them between us. The E100SW is the only film I use for glamour shots. Ektachrome 100SW. I wish I'd been around for that. It also apparently had extremely fine grain. Or I can't make it go back anyway with this tool. good for indoor or night shooting, where the specific White Balance: Natural Light Auto WB Adjust: A0. I liked Kodachrome a lot, but I usually used Ektachrome, even though I seem to remember that it had a cooler white balance. 10 of these Recipes use a Kelvin White Balance, eight use Auto White Balance, six use Daylight, and one uses a Custom White Balance The Kodachrome 64 Filter settings have to be added on top of that. Adobe Photoshop. X-Trans IV; X-Trans III For example, you could have Kodachrome II, which uses auto white balance, set to C1, Kodacolor, which uses a kelvin white balance, set to C2, Kodachrome 64, which uses daylight white balance, set to C3, Lomography Color 100, which uses cloudy/shade white balance, set to C4, Color Negative, which uses fluorescent 1 white balance, set to C5 What is White Balance Shift and how do you use it on your Fujifilm camera? White Balance Shift is one of my favorite JPEG tools that Fujifilm has included on their cameras. My Workspace White Balance settings only allow Auto/Preset Captured using the Kodachrome 64 film simulation recipe on a Fujifilm X100V. Yesterday I published my Kodachrome 64 recipe for X-Trans II cameras, such as my Fujifilm X-T1, and today I will share with you my Kodacolor recipe for X-Trans II! White Balance: 6300K, -3 Red & -2 Blue ISO: Auto, up to ISO 6400. Kodacolor 200. Shift: -3 Red & -1 Blue. I googled 'kodachrome 64 effects photoshop' and got Hey folks, I've recently come across a stash of old Kodachrome 64 and am trying to figure out how to develop it. It’s also one of the most popular recipes on Fuji X Weekly. You For example, I use the Kodachrome 64 which is a warm WB (+3 Red, -5 Blue), and the Agfa Recipe is -1 Red, -1 Blue, but when I change between the custom profiles, the White Balance stays the same, and you have to be Own development analogue of the famous film Kodak Kodaсhrome 64. I can't figure out how to enter "partial" values, such as your B/Y=(+0. 3) and G/M=(+0. Previously I organized them by dynamic range setting, so that they could be seen in a different arrangement. " (Wikipedia) The Bethel array was constructed in 1958 and decommissioned in 1979. White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Kodachrome 64 hatte ja als Dia-Film nicht allzu viel Dynamic Range, daher finde ich die tiefen Schatten deiner X-T3 Version sehr authentisch. Those with an X-T3 or X-T30, try the Kodachrome 64 recipe for those cameras . I processed and printed the black and white myself on fibre based paper and I had some Cibachromes made of the colour. Kodachrome was special; instead of the film itself containing the color dyes, the colors was Adjust Exposure and White Balance. Kodacolor. This recipe was created for the X-Trans IV sensors. recipes. This recipe is compatible with all X-Trans IV cameras. One reason why they might be noticeably different is because the Kodachrome II recipe uses auto-white-balance while the Kodachrome 64 recipe doesn’t. Color Chrome : Strong. Previous materials, such as Autochrome and Dufaycolor, had used the additive screenplate methods. I My reading so far suggests that K64 was essentially a black and white film with color added during the processing. Recipe: Kodak Vision3 250D. Eterna Low-Contrast. Darktable will be the tool. Kodak Portra 160. 5 Color: +2 Sharpness: +1 High ISO NR: -4 Clarity: +3 ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 Now I’m doing it by white balance. 0, using a 48-micrometre aperture, 12X magnification. For some odd reason the shots come out with too much of a yellow tint and way to much contrast? I’ve triple checked and all recipe settings are correct in the camera. I These have been designed to be customizable, changing the exposure and white balance will be helpful after application. The film simulation recipes below all use a white balance other than auto or kelvin. This is what we would recommend to do. I am pretty sure it is from Fuji Weekly. That can be inconvenient and frustrating, so Kodachrome 64 Kodak Gold 200 Kodak Portra 160 Kodak Portra 400 Pro Neg. Use them, check how the white balance alters your image and if you get some experience you will soon see a trend and know what can work and what not. I may try again now. This is the relevant section for Velvia 100 Pro. Basically the Red/Blue adjustment happens outside of the custom setting at the White Balance stage, so if you’re switching between custom settings you might want to I get asked regularly about White Balance. Classic Kodak Color. White Balance: Incandescent; +6 Red, -7 Blue ; ISO: Auto, up to 3200; I assigned this recipe for my “indoor” setting as 1 of the 7 camera’s custom presets, but the recipe’s versatility allowed for additional tests at outside locations. I got close but not close enough in the past, I dropped my laptop with the action I made losing hours of work. Old Kodachrome shooter. Kodachrome without Classic Chrome. Kodachrome was actually a black-and-white film, and the color dyes were added during the development process. Credits. Having saved the preset I suddenly realised that the white balance and white balance shift had been saved as Kodachrome 64 + Kodachrome 64 is based off Kodachrome 64 - but with a WB set to Daylight and zeroed out tone curve. Kodachrome 64 and Downtown Bloom have slight white balance shifts but will produce different results depending on lighting conditions. Those with X-Trans III and IV cameras, such as the Fujifilm X-T30 that I created it on, have been enjoying So, if one exposes correctly with an accurate white balance, the profile should respond well, regardless of ISO – within reason. The idea here is to keep every setting the same except for the film I’ve made a list of all my film simulation recipes that use a white balance with a specific Kelvin temperature. Introducing the 1974 My "kodachrome/classic chrome" Pen-F settings (update) Thread starter GarethB; Verify that the white balance shift achieves a subtle green tint (at least in my eyes this is what the Cinematone recipe does). Because of this, it is probably the most difficult film to scan, White Balance: 5900K, -1 Red & +4 Blue Highlight: 0 Shadow: 0 Color: However DxO Filmpack doesn't work directly with raw files, unlike Lightroom, and it may be necessary to try various white balance options pre-DxO Filmpack to get the right look in the converted TIFF or JPEG. Grain Effect: Weak/Small. My film simulation recipes require various White Balance adjustments, and sometimes, in different light situations, the results can be unusual, which can be good or bad, depending on what you are trying to achieve. Preset as accurately displays the image processing in accordance with the unique colors branded films. White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically) Tips for removing remjet and scanning from Kodachrome 64 B&W Film Hi, I developed my first film and it’s a Kodachrome 64 in black and white but I didn’t conceed to remove the remjet and I don’t know how to scan my film do you KODACHROME 64. However, it works well for Processing a Kodachrome 64 In B&W 14 31 Share Tweet. The differences between this version and the previous weren’t huge and image quality was nearly identical. Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: Daylight, +2 Red & -5 Blue Warningâ ¦ long and somewhat rambling postâ ¦ sorry! Iâ ve been experimenting more with a few test slides and my Canon EOS 70D and bellows setup. I assume that it would have also missed Grain size, but it said to set Grain to Off. Sharpness If two Recipes share the same white balance type but not the same shift, when you switch presets you must remember to adjust the shift, too. White Balance: Daylight, +2 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +2/3 (typically) Example photographs, all camera-made JPEGs using this White Balance: Daylight, +2 Red & -5 Blue Dynamic Range: DR200 Highlight: 0 Shadow: +0. D Range : 200. And you had to balance the light just right to get the best color. The Kodachrome 64 recipe is meant to mimic the last version of the film, think 1980’s and ‘90’s. Where Kodachrome 64 was known for its vibrancy, 25 is known for its calmer tones with more of a respect to realism. Kodachrome was the first color film to be successfully mass-marketed that used a subtractive color method. My Fujifilm X100V UK user here: I use Kodachrome 64 as my day to day sim, but with clarity at 0 (simply because it takes too long to save and you can’t use it in burst mode) But I also put the white balance and shift in the recipe name just in case. More posts you may like r/fujix. If you shoot with various cameras you’re quickly into 100+ bucks, and there’s no free trial or anything. Kodak Portra 400 v2. KODACHROME is a triple layer matrixed B&W film in reality [matrixed with gelatin filter layers for the 3 primary colors], and color dyes are added by 3 separate Color Developers relative to the formation of the Positive silver 122K subscribers in the fujifilm community. Fuji X Weekly photography blogger Ritchie Roesch captures a 1994 Rover Mini Cooper with a Fujifilm X100V using his Kodachrome 64 film simulation recipe. McCurry Kodachrome. What You’ll Get: ️ 33 Lightroom Desktop (OLD) Presets (. This is the closest relevant section for For consistency purposes I would probably set a custom white balance by taking a picture of the diffuser w/o a slide for each batch/session; but even that is probably overkill. The scans look a bit contrasty and sharp, with good dynamic range and fine grain. Because the white balance setting of the recipe is K5900, it will turn images taken under tungsten light into a yellow mess. Scanned as black and white negative, at 2400 DPI, 16 bit grayscale, saved as TIFF file. I was amazed how fine the grain was. The real key is in the post processing. Unofficial Fujifilm subreddit for Fuji photographers to share photos, ask questions, discuss digital White papers, Ebooks, Webinars Customer Stories Partners Executive Insights Open Source GitHub Sponsors. Your pitfall is, this color film was designed to be loaded into both still and movie cameras under subdued light. Getting the colours â rightâ is something that Iâ m going to need to figure out how to do. The white balance is warmer than in older models, which typically had a strong magenta cast. When the White Balance eyedropper or Temperature/Tint sliders my setting for Kodachrome 64 lookhttps://fujixweekly. Ektar 100: Kodachrome 64: Kodachrome is a versatile film known for its soft yet colorful look that can be tri-x, kodachrome 64, gold 200, ultramax, and hp5 400 are the ones i’ve used with the most success. I have a golden hour, mid day, cloudy, nighttime and a black and white. What a journey it was. Nikon Zfc — B&W Film. So I’ve not tried cobalts Kodachrome profile and can’t speak to its performance. White Balance: Auto WB Shift: R-2 & B 2 Highlight Tone: -2 Shadow Tone: -1 (or 0 in certain circumstances) Colour: +3 Sharpness: +4 Noise Reduction: 0. The original picture (at the top of this post), which you might recognize from my Rover Mini YouTube video, was made using Classic Chrome, the film simulation that the Kodachrome 64 recipe requires. Color Chrome FX Blue: Weak. 5 Color: +2 Sharpness: +1 High ISO Captured using the Kodachrome 64 film simulation recipe on a Fujifilm X100V. These film simulation recipes are compatible with all Fujifilm X-Trans III sensor cameras, which include the X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1. 0 ISO: up to 6400. Kodachrome 64 Color Transparency. Kodachrome có một lịch sử lâu dài, với phiên bản thành công đầu tiên ra mắt vào năm 1935. Kodachrome is known for being difficult to scan but one of it not the best looking film IMO. The following JPG Certain white balances just look like shit in doors due to the light source. (White Balance Offset) A = -2 G = +2 I'm going to try make a Kodachrome 64 type of set-up during the week (probably the more recognisable of the two). Recipe: Kodachrome 64. White Balance: Auto, +1 Red & -1 Blue ISO: Auto up to 12800 Exposure Compensation: +2/3 (typically) Example photos, all camera-made JPEGs captured using my Classic Chrome Film Simulation recipe: My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; Fujifilm X-Trans IV Film Simulation Recipe: Reggie's Portra; White Balance: Auto White Priority, +3 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically) Example photographs, all camera-made JPEGs using this new Kodachrome II v2 film simulation recipe on my Fujifilm X-E4: The balanced richness and contrast of Kodachrome. So for example, I have two presets adapted from Fuji X Weekly. Kết quả: KODAK POTRA 400. It is important to understand that the original For example, I use the Kodachrome 64 which is a warm WB (+3 Red, -5 Blue), and the Agfa Recipe is -1 Red, -1 Blue, but when I change between the custom profiles, the White Balance stays the same, and you have to be On this day I wanted to see what the fujixweekly Kodachrome 64 recipe would look like on a nice sunny day. I shot two rolls of Kodachrome 64 on my dad's Pentax MG in 2001 shortly before Kodak discontinued the film stock and the incredibly complex proprietary K-14 development process. Kodachrome 64 recipe. The pictures turned out Kodachrome 64 was discontinued on 22 June 2009, a long time after McCurry stopped shooting on film. Back when I shot film, I carried warming and cooling filters to compensate for different light situations. I totally admire the colours in your picture of two horses in “Fujifilm X-T30 Kodachrome 64 Film Simulation Recipe” so I keep my fingers crossed that your deep I found this cool table of PEN-F settings to sort of simulate Kodachrome 25, Kodachrome 64, and some other films (it includes the settings from the thread above for Kodachrome 25): Using the PEN-F settings as a guide I started playing around with the Lightroom settings for white balance, curves, and colors to see if I could get the raw to look Kodachrome 64, while saturated, was more muted than K25, and much more muted than Velvia 50. And if you use only one recipe with Daylight white balance, the camera remembers the shift. Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: Daylight, +2 Red & -5 Blue Processing a Kodachrome 64 In B&W 14 31 Share Tweet. In fact, in default, so can virtually ALL photographic films. Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: Daylight, +2 Red & -5 Blue Like Parts 2 & 3, I set out to recommend seven recipes, one for each C1-C7 Custom Preset, that don’t share the same white balance type or, if they do, Ektachrome 100SW, and Kodacolor; but my favourite so far has been Kodachrome 64 for its colour, saturation, and impact. Processing a Kodachrome 64 film as we all know is a very unique process (K-14). I’ve also created a version of the 1950's version of Kodachrome, als well as the modern look from the 2000's. I prefer the “SW” because of the slight warming affect it has. So perhaps using a shadows adjustment of -2 to 0 on the Pen-F. Kodak Kodachrome 64 - (Updated 27/7/020) Kodak Porta 160 VC - (Updated 27/7/2020) Generic Fuji Velvia However, I'm confused by the Workspace white balance compensation values you list. The balanced richness and contrast of Kodachrome. 25). X100F Classic Chrome In this video, I share how to create a custom Kodachrome 64 Film Simulation on your Fuji camera. My hat’s off to you Gavin for providing such a useful tool to the photography community. It is important to understand that the original version of the film in 35mm format it quite differently gives color and it depends on white balance in an image. My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; My new Fujifilm camera is Fujifilm X100V Film Simulation Recipe: Kodak Portra 400 v2; Ricoh GR Two Caballeros – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64 Recipe. Reply reply Top 2% Rank by size . +2 Red & -5 Blue. White Balance: 5900K, -1 Red & +4 Blue Highlight: 0 Shadow: 0 Color: +2 Sharpness: -2 High ISO NR: -2 Clarity: 0 — N/A for X-T3/X-T30 I think either Kodachrome 64 or McCurry Kodachrome can give a quite similar look when there is enough exposure. the same goes with exposure or shadows and highlights before applying the style, this is so that the base image is relatively plain and clean to be a good starting point to apply the style and have the expected result; if you use a enabled more KODACHROME 25 PROFILE + 0. Vielen Dank dafür 👍🏼 For example what was the approximate color temperature setting for Kodachrome 64/200? Or other popular color films? Oct 03, 2012 at 02:17 PM: mpmendenhall Offline • • • • Upload & Sell: Off: p. Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: Daylight, +2 Red & -5 Blue Kodachrome 64. Recipe: All of them (except B/W I think) use different white balance settings or share the balance and shift, since you can only set your WB shift to one setting (unless you wanna change it every time you change a recipe. Topics Trending Kodak Kodachrome 64</name> <description>fitted LUT style from GMIC film emulation style “Kodak Kodachrome 64”</description> </info> White Balance: Auto, +2 Red & +2 Blue ISO: Auto up to ISO 6400 Exposure Compensation: +1 (typically) My Fujifilm X100V Kodachrome 64 Film Simulation Recipe; Fujifilm X-Trans IV Film Simulation Recipe: Reggie's Start with a black and white layer then and color layers on top in the same order as the film. Kodachrome 64. It was a Revue 35CC (it's the same I found this cool table of PEN-F settings to sort of simulate Kodachrome 25, Kodachrome 64, and some other films (it includes the settings from the thread above for Kodachrome 25): Using the PEN-F settings as a guide I started playing around with the Lightroom settings for white balance, curves, and colors to see if I could get the raw to Own development analogue of the famous film Kodak Kodaсhrome 64. The Kodachrome film recipe produces a very classic look that is ideal In 1961 Kodak replaced the original Kodachrome with a new and improved version called Kodachrome II and a higher-ISO sibling called Kodachrome-X. Expired Eterna. Wasn’t Kodachrome a lot more expensive? If you use the PEN-F settings in the post above then remember that Kodachrome was daylight balanced so to sort of approximate it you should always shoot using the daylight white balance preset -- it probably isn't exactly the same as Kodachrome, but closer than using Auto WB or some other preset. cdgka tmw qrlbc dhhc naf qlacg jyqztwr oerulm crmdp urfrol